“Chalice” is getting another conclusion. A reader whose involvement in the story was deep and thorough pointed out a flaw that lessened the book. The ending felt rushed, he said, and he was exactly right. When that part was written, I was anxious to have the writing of it over.
Few things disappoint me more when reading than a book where the author copped out or “gave up” at the end. And some great authors have given me this feeling, as well as a lot of movies that went through a test market process and give “feel good” rather than significance. When talking about “art,” a solid ending is as important as the opening “hook,” though I don’t think it receives the same attention.
So I invited another reader who liked the original ending, and we met with the reader who raised objections. For an hour and a half we discussed the whys and why nots in what could only be called a story conference.
The final result was wonderfully positive beyond my expectations. The new ending ties everything together, gives the tale more impact, makes it more “real,” and better suits what I was trying to convey. Though it can initially feel like a slap, that’s the gift of thoughtful criticism.