About Erik Dolson

Erik Dolson is a writer living in Oregon

Reader Feedback

Choosing the style “epistolary novel” for Chalice brings some interesting responses, some positive, some negative. They may break down by age and sex and whether a reader has done any online dating.

One reader, who I respect very much, said he kept trying to read the letters as if they were dialogue and wanted to say “people don’t talk like this.”

While on the phone as we discussed this, I pointed out that his original letter to me about the book was quite well crafted. “I spent a lot of time on that,” he said, and immediately conceded that I “had him.” (He then went on to make some excellent points, with examples, of language he would change.)

Another reader, also male and my age, very much likes the direct exposure to the characters granted by using their own words and delusions to describe who they are (and are not!).

Two different women have said the early and easy intimacy is much more common and believable in the current world of electronic dating, email, etc. and they like the structure if not the characters.

It may turn out that Chalice is not for everybody, obvious a long time ago. It may require a different type of attention. I do hope it has value for readers who don’t know the story.

In the mean time, it is fascinating and rewarding to watch the direction of the final draft drop into focus.

Giving You Good-bye


It is so perfect, this moving on.
He will give you now what I would not,
You could not, for all our same page, find in me,
What you needed, asked for, begged, pleaded, there to be.
All I can give you now is good-bye, and this, please don’t write,
Don’t phone, let me give you that, this ending for your new beginning,
All your love, your lips your smiles and fingertips and warm cashmere words,
Give all to him, hold nothing back for this memory, oh my god My Love, good-bye.

Interesting people

There has been an unexpected benefit to my decision of having a group of “readers” review the manuscript for Chalice.

Several people I asked to read the book said “You should ask so-and-so, they read all the time. They know books and would give you really good feed back.” So I did.

And what these “strangers” have had to say has been difficult to hear and encouraging — in other words, exactly what I wanted.

Enjoying the language but people don’t talk like that; I love the fact that it is so well-thought out; I can’t get past thinking of it as dialogue; great job presenting conflicting values; maybe there should be a more dramatic event in the first 30 pages that allows them to open up to each other more quickly; I really dislike one of the main characters by page 7… ”

Informative perspective and often page specific. Immensely valuable.

Even better, these “strangers” are interesting, funny, thoughtful, direct and engaged in what is important to them: Music. Cars. Books. Wonderful people I would not have “met” if not for this process.

Is AAD “Real?”

Today I was asked if Adult Attachment Disorder was “real.” When asked what was meant, they responded by asking if AAD had a definition within The Diagnostic and Statistical Manual of Mental Disorders (DSM) published by the American Psychiatric Association.

Yes and no.

Reactive Attachment Disorder (RAD) was first defined in the DSM-3, according to a review for the DSM-5 (an update due for release in May, 2013) written by Charles H. Zeanah, M.D., and Mary Margaret Gleason, M.D. for the American Psychiatric Association.

RAD is the name given to attachment disorders as they appear in children. The review by Dr.s Zeanah and Gleason will update the definition of RAD in a number of ways that reflect current research.

So the DSM does not have a definition of “Adult Attachment Disorder” per se. However, there is a substantial body of work relating RAD to adult behaviors (see: A Brief Overview of Adult Attachment Theory and Research by Dr. R. Chris Fraley).

The assumption is that behaviors around attachment developed in childhood impact relationships one is capable of forming as an adult, and possibly result from biological survival mechanisms.

Walking away

From hereRan into somebody who had read the short verse I wrote in January about a relationship that had just ended with a wonderful woman because our paths were not converging. That’s a hazard of falling in love later in life. I had forgotten I posted those personal emotions but was grateful this person enjoyed the “poem” and was moved by it. Had even read it.

Sometimes it is too easy in moods of “terminal uniqueness” to forget we share so many of these emotions and experiences. A friend, also a writer, talks of the universal nature of what brings us joy and heartbreak. That is part of the value in art, that ability to share experience. And to feel not quite so alone.

It took me a while to understand that, plus words from a friend going through a tough time who has recognized that “letting go,” while exquisitely painful, is sometimes the only path toward fulfillment if not self preservation.

That is one of the themes in Chalice and something I am trying to convey in It’s Nobody’s Fault. Sometimes one has to walk, or let our love walk. Because after enough break-ups and make-ups we know the pattern if not the causes, and we have to make a cold calculation that it is what it is.

That’s not to say there isn’t hope, only that change sometimes requires that … we make a change.


On Ice
holding only in my heart whom I’ve held in my arms,
distance great, time short, this is life’ sorting,
souls skate near to brush fingertips to lips,
momentum’s past push/pulls us apart,
your cashmere warmth my memory.

 

 

“Writing?”

On the couch this morning with a fresh cup of coffee looking out over an absolutely brilliant day. And thinking about … promoting, marketing, publicizing?

Which means, I am not writing. Ugh.

It is absolutely astounding to me how wrong I could have been about what being a “writer” entails. I can create something that will interest somebody somewhere. But how to reach those readers?

There are tools, and plenty of people who sell information, books, seminars, face paint, helicopters etc. to reach an audience. And people who offer to do some of the work for you. But in the end, it is the author who must shoulder the load.

Reclusive, sensitive, tongue-tied introverts who would rather live in fictional worlds than talk to anyone much of the time.

On the couch this morning, I was whining about this to myself when my Muse leaned in real close and said, “You will do it because it has to be done.” It was so plain and clear it startled me because I live alone here in my loft on the hill top. Then it made me smile, because of her certainty.

I would rather write than take seminars or make accounting decisions or filter good advice from the gimme of charlatans. But I don’t have a choice. With 8 million and counting titles on Amazon, with the outlets for physical books declining, with readers having nearly an infinite choice among a cacophony of writers clamoring for their attention, that is just the way it is, now, regardless of how great or lousy a writer’s books may actually be.

I will do it because it has to be done: create relationships with readers who share my interests. To get my words into their hands. Your hands.